(1) Integral to Wagnerian ideology is a belief that all sense of individual identity vanishes during sexual activity.

(2) Almost all of them are interested in gender or sexual identity and want to show how a given work dramatizes the constructed character of selfhood.

(3) I could go on about the use of gender and sexual roles in the film.

(4) It is often based on systematic observation, and can serve as a genuinely useful tool for expanding our concepts of sexual and gender possibilities.

(5) At the same time, however, the authors refused to acknowledge the sexed body, claiming that sexual difference, like gender, is a cultural construct.

(6) Throughout the interview he had presented an extremely distorted attitude and thought processes about his sexual activities with the victim.

(7) Smith traversed racial, gender, and sexual borders in other performances as well.

(8) This statute forbids certain intimate sexual activity, even in private and even for married couples.

(9) Since when was it impossible for two men to have a friendship without having sexual feelings or attraction for each other?

(10) Laelae and their equivalent elsewhere in the Pacific clearly point to a dislocation between sexual anatomy and gender identity.

(11) This was physical attraction, sexual temptation, nothing more.

(12) Only the naive would think that sexual stereotypes have ended.

(13) Some slaves were treated well, but there were few restraints on their owners' powers, and physical punishment and sexual abuse were common.

(14) Greek gods like Priapus are known for nothing else but their sexual and procreative prowess.

(15) The girls found him u251cu00f6u251cu00e7u251cu2510adorable and softu251cu00f6u251cu00e7u251cu00fb but they knew he was not u251cu00f6u251cu00e7u251cu2510capableu251cu00f6u251cu00e7u251cu00fb of any sexual manoeuvre.

(16) To recognize these differences should however not lead to an essentialism grounded in sexual or cultural characteristics.

(17) Re-appropriation has now spread to other areas of race, gender and sexual identity.

(18) The award-winning British play promises a salacious good time with its decidedly postmodern take on gender and sexual power relationships in the middle ages.

(19) In exploring the connections between gender and sexuality, she highlighted the constructed nature of sexuality and sexual categories and their importance to social ordering.

(20) We then come to the question of gender and sexual equality.